Mental chair for Sunday evening

Standing Ovation, Seated

I have already quoted Matisse once on his idea of art providing a „mental chair“ to the observer, but here it is, shown in all its glory in a small painting of a reclining woman (1946).


What’s unusual about it?

The woman is taken from above, as if Matisse were hovering over her with his easel. The perspective is twisted so much the room resembles a capsule or a cocoon. The girl is totally relaxed: look at the way Matisse painted her legs.

She appears to be both lying down and flying with the chair cover becoming her wings.

Do you recall Cezanne’s theorem that everything is made of cyliners, pyramids, balls and boxes? Matisse says, at least in this painting, that everything’s built mostly of hearts, a blue box and a black square.

And if the hearts are more or less an obvious though sentimental choice, what’s the role…

Ursprünglichen Post anzeigen 91 weitere Wörter

Kommentar verfassen

Trage deine Daten unten ein oder klicke ein Icon um dich einzuloggen:

Du kommentierst mit Deinem Abmelden /  Ändern )


Du kommentierst mit Deinem Twitter-Konto. Abmelden /  Ändern )


Du kommentierst mit Deinem Facebook-Konto. Abmelden /  Ändern )

Verbinde mit %s